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时至深秋，叶落寒风，京城喧嚣，亦难掩人们的沉闷与疲惫。这时，苏轼、韩愈的诗就如一阵清风，轻轻吹拂着我们的心灵。
如果要说两位古人的诗中最为受人喜爱的主题是什么，也许就是对人性的深刻剖析。而在这两位伟大的文学家的诗里，似乎最有“煽动性”的，便是对人格特征——性情的描写。而其中，又尤其是对星座特征的嘲讽和吐槽。
在众多的星座当中，摩羯座似乎是最容易遭到“欺负”的星座。苏轼的《句曲水调·丙辰中元》中就有一句，“却笑麒麟不是马，到老踏青也飞沙”，巧妙地点出了摩羯座的一些特点：敬业、认真、勤奋。“麒麟”这样的神话生物，虽然也有一条长长的角，但不同于“马”的助人精神，它更多地象征了理智、独立的特质。
韩愈的诗中，则直接点到了摩羯座的“痛处”——冷酷无情，笃定自我的一面。《秋夜长安感怀》中便有：“高山严重，大江狂急，蒼松老柏，气凝磐础，自是名山出群豪，何曾摩羯蹑绝顶。”
在这里“著名”的西安，有陕西一棵古松，名书院松，常常比作“一只长啸的龙”。而“自是名山出群豪”则是隐含，这些豪情壮志之士，像西安的这座松树一样，巍然屹立，万古长存。“摩羯蹑绝顶”的含义则明确得多，因为韩愈认为摩羯人有一种“向上攀登”的野心，但这种野心多半用在自己寻求成功的道路上，少有“高山巨流”的豁达心态。
苏轼和韩愈都是文学巨子，而他们的诗歌里充满了对人性的思考与描摹。而能够在诗里捕捉和思考“星座特征”与人性的关系，既是这两位古人非常高妙的见识I【更多相关资讯请访问wWw.45678567.COm>奇摩星座】t is also a reminder that even though the constellations that we rely on to connect with the universe may appear stationary, they are in fact in constant motion, aligning and re-aligning themselves in new patterns. And just like the constellations, we ourselves are constantly changing, evolving, and growing. Our personalities and traits may remain consistent throughout our lives, but our experiences shape us and allow us to see the world in new ways.
Ultimately, the exploration of the stars is a powerful reminder that we are not alone in the universe. We are all part of something bigger than ourselves, and the stars above remind us of the infinite possibilities and potential that exist in the universe. By studying the stars, we find answers to some of life's biggest questions and are able to connect with something greater than ourselves. The constellations may be static, but the possibilities they offer are endless.
